![]() ![]() I've also found that if you use a MIDI effect rack with several channels after it, each with a stock MIDI pitch effect at different "accepted note range" settings, you can then route multiple instruments/MIDI channels to each colored channel, at which point you can do some wild stuff (I had a Mick Gordon/Doom 2016 thing going for a minute, which was dope). I personally would also really like to see if there could be an option (like the random or shuffle buttons) for setting all sequencer note pitches per channel to the same note, like a C3 for the whole blue channel, etc. I will also freely admit that maybe my expectations based on the description and the video demo may not have necessarily conformed to the actual reality of the tool, though.Īside from that, saving and loading patches isn't working for me (Live 10.1.14 and Max 8.15), same with parameters resetting to initialized when saving and loading a Live set. I dunno, but will confess that I am Max ignorant and not a programmer of any kind. I guess I was hoping for something for straightforward that could be setup and run to achieve that goal without breaking the creative flow for that specific issue.Īfter doing some reading of the previous comments from the graciously helpful creator and the supplied paper on Euclidean rhythms, I don't know if this is even a valid feature to request but I would love to see it included. This still puts you at the mercy of Ableton's quantizing, grid snapping, and note-length resolution limitations, however I will say that the end result sounds a bit cleaner than doing it all yourself manually. While I can't make it do polyrhythms directly, you have to set it to the polymeter that reflects the intended polyrhythm (5 over 4 in 4/4 at 120bpm to get a 5:4 polyrhythm, for instance), print the MIDI to a track, and then warp it by hand from a phrase/clip length of five beats to four beats. I would say that instead of doing straight-up polyrhythms in sync with the global time signature, it will do polymeters instead. After playing around with this for about a dozen hours over about two days, I have discovered that this is not the case with the Euclidean Sequencer. This is something that Live doesn't directly do, which is disappointing, but there are workarounds that you can use such as directly entering/manipulating/warping the MIDI notes (which results in crude/coarse timing) or using overdubbing with the stock arpeggiator in time mode (which requires some math for every polyrhythm desired, but I do find it personally hilarious that I have a disdain for doing that given the styles of music that I listen to/produce/write that require polyrhythms in the first place). I was hoping that this could do those right out of the gate, with appropriate parameters inputted in of course. Having said that, there are a few points that I wanted to bring up.įirst of all, the description specifically mentions polyrhythms which was a big reason I bought it. The design/user interface is great and it is an excellent way to visualize the concept of what's going on, and alkman does great work all around (I HIGHLY recommend all of his other stuff on here for whatever that's worth). License ( more Okay, I just want to say that this is a powerful and interesting tool and I will get a wide variety of uses out of it in the future. Preset number box can be automated and midi mapped Fixed a bug where an automated note box outputs wrong notes Fixed a bug which occurred in Ableton live 10.1.30, where parameter values and presets were not reopened correctly. Interesting music theory video that uses the device ![]() Requires max for live & ableton 10.1.2 or later ![]() Amongst other things it allows to have a fixed note per voice, or create your own melodic sequence for each one. Creates complex polymeters and melodic arpeggios. ![]() This is a 4 voice euclidean sequencer, for ableton and max for live. Device Details Device Overview Name/Version:Įuclidean sequencers divide a number of beat subdivisions over a time interval and place MIDI notes as evenly as possible into the sequence. ![]()
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